faith&foolishness

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Posts Tagged ‘bruce herman’

An Alternative to Solitary Genius, part 2

Posted by Sarah Jane on November 10, 2009

In my last post, I asked about the difference between excellence and elitism, and queried whether accessibility in art must come only at the expense of quality.

It’s a common enough sentiment — well, of course it would be nice to make art that is readily accessible and could be understood by people of all backgrounds and education levels, but that would mean dumbing it down or making kitsch. The cynics don’t want for examples, either: there’s a seemingly-endless abundance of smarmy, kitschy stuff out there masquerading as artwork. But does the excess of poor art point to an actual demand for kitsch objects in our culture — or is it instead a symptom of severe neglect on the part of an increasingly elite and inaccessible art world?*

Is it genuine quality we have been seeking in our artwork, or merely a sense of our own importance — we chosen few who have been initiated into the inside joke? Because at the end of the day, our small gains are measured against a great expense to the culture in which we live and are called to serve. Our most brilliantly-expressed artistic truths are unnoticed and meaningless, and the inside joke is more pathetic than funny.

The time has come for artists to reclaim our cultural calling and to reach out to the communities we have abandoned and neglected. It is for this reason that I suggest accessibility as a central aspect of artistic excellence — not something to be avoided at all costs, but an essential quality to be carefully cultivated. After all, an uneducated viewer isn’t a stupid viewer. She isn’t seeking cloyingly simplistic kitsch, but meaningful artwork in which she can gain some foothold of understanding — in which there is an element of shared visual language between the artist and the viewer. As a gallery director, I often observed that a shy viewer who connects with the artwork on one level is then comfortable (and curious) enough to investigate more subtle levels of meaning in the work, as well. Let that happen often enough, and she will become an educated and appreciative viewer.

I would love to hear your thoughts on the divide between fine art and the culture at large. What makes a work of art meaningful to you? What is an artist’s responsibility to find common ground with less-experienced viewers?

* Bruce Herman compares this situation to a present-day Tower of Babel in his 2003 essay, Breaking/Open: Postmodernism & the Return of the Religious Element in Art.

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